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80% off “TimewARP 2600” by Way Out Ware (VST/AU/RTAS)

80% off “TimewARP 2600” by Way Out Ware (VST/AU/RTAS)

For nearly four decades, the ARP 2600 has helped to provide the backbone for electronic, urban, and popular music. Among the many legendary musicians that have used the ARP 2600 are, Stevie Wonder, Pete Townsend, Jean-Michel Jarre, Mike Oldfield, Herbie Hancock, and many, many others.

Today, musicians and producers aggressively pursue the limited number of remaining ARP 2600 synthesizers for their distinctive warmth and unmatched fidelity. The “TimewARP 2600” delivers the same fat sound with twice the flexibility; at a fraction of the price. This is one synth that you can’t afford to be without!

The deal ends in:

Approximate Conversion Rates: 42 USD || 31 GBP

  • Real value: €169.99
  • You save: €135 (79%)

A Miracle of Science – It’s The Sound of the 70’s Reborn!

By developing their own proprietary and optimized virtual analog oscillators and filters, with “TimewARP 2600” Way Out Ware brings the most accurate digital reproduction of the 2600’s fat analog sound to your desktop.

All of the original control features from the ARP 2600 are there, and because you can now save your carefully programmed patches, the TimewARP 2600 is even better than the real thing!

The ARP 2600 synthesizer helped define the music of an era. Edgar Winter’s “Frankenstein,” The Who’s “Who Are You,” The Tubes, Jean Michel Jarre, Deep Purple, Stevie Wonder and on and on.

Only 3,000 ARP 2600’s were produced between 1970 and 1981, and they’ve been trading hands among collectors for thousands of dollars ever since!

The deal ends in:

Approximate Conversion Rates: 42 USD || 31 GBP

An Iconic 70's Synth!

As used by Stevie Wonder, Pete Townsend, Jean-Michel Jarre and many others!

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A Brief History of the Iconic 70’s Classic  –  The ARP 2600

The ARP 2600 was the second product of ARP Instruments. It was released in 1970, and continued until the manufacturer ceased operations in 1981. Its design combined modularity (for studio flexibility, and for instructional use) and integration (for realtime performance).

Functionally, the ARP 2600 was completely modular: any signal output could be routed to any signal input, with a patch cord. Operationally, the ARP 2600 was integrated, using internally-wired default signal paths that made it possible to create a wide range of keyboard patches by simply opening up slide attenuators, as though sitting in front of a mixing console.

The ARP 2600 earned an early reputation for stability, and for flexibility exceeding that of its competitor the Minimoog. Used 2600’s in good condition command premium prices on eBay today and businesses around the country can make a living reconditioning, rebuilding, and customizing 30-year-old units.

Its modular design, and the popularity of its Owner’s Manual, made the ARP 2600 a widely used teaching instrument in many schools and music conservatories around the country and internationally.

For more detailed information on the fascinating history of the original ARP 2600, check out this links page.

Reinventing a Classic Synth for the Modern Studio

Although creating the most authentic and faithful reproduction of the classic Arp 2600 sound ever heard was a major goal for developers Way Out Ware, this didn’t stop them adding several modern twists to the original design to bring it up to date for modern studio work. Here are some of the many outstanding features of “TimewARP 2600”:

Benchmark Filter Design

The success of any great analog synthesizer emulation relies on accurately modelling the behaviour of the Voltage Controlled Filter module. Not a trivial task, WOW has created a new industry benchmark with its “TimewARP 2600” digital VCF. It must be heard to be believed!

Extensive Patch Manager

There is no limit to the number of patches you can create and save with the “TimewARP 2600”. In addition to comprehensive import and export abilities, WOW also include a sophisticated Patch Manager for sorting your presets any way you want. The “TimewARP 2600” also responds to MIDI bank-select and patch-select commands for total control.

Use As Part Of An Effects Chain

Utilize the signal input/output function to use the “TimewARP 2600” like an elaborate signal effects processor.

Plug in a guitar, microphone or other sound source to provide an additional signal feed to be used in the TimewARP as an oscillator, LFO modulator, control voltage and more. Use the synthesizer as an effect to process the input. Create one-of-a-kind vocoder effects. For example, Pete Townsend used this ability to drive the guitar sound in The Who’s “Who Are You.” and Stevie Wonder used it to create some very interesting Vocal Effects!

Trigger From MIDI Tracks

Running as a track plug-in, the “TimewARP 2600” can also process pre-recorded MIDI tracks. Under MIDI control, the Internal Clock may be synchronized to an incoming MIDI Beat Clock.

Evolving Textural Patches

The “TimewARP 2600” comes loaded with hundreds of great patches right out of the box, and due to the “TimewARP’s” unique sonic environment, you can create “evolving textural patches”.

8 Voice Polyphony

The original ARP 2600 was a monophonic instrument. But those days are over. Sure you can play the “TimewARP 2600” in monophonic mode if you really want to, but you’ll have far more fun playing all of those classic patches with multiple voices for the first time!

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The deal ends in:

Approximate Conversion Rates: 42 USD || 31 GBP

Grab it while you can!

The deal will expire when the timer hits zero!

So What Exactly Can I Do With “TimewARP 2600”?

The “TimewARP 2600” is of course based on the now classic semi-modular synthesiser the ARP 2600 and can reproduce all those much loved 70’s sounds with ease, everything from Stevie Wonder to The Who, Jean-Michel Jarre to Herbie Hancock.

If you’re feeling a bit more adventurous however, it can do much more. Here are just some possible uses:

  • 8bit Chip Tunes
  • Electronic Pop
  • Psytrance

The possibilities are almost limitless!

"TimewARP 2600" by Way Out Ware

80% off "TimewARP 2600" by Way Out Ware

The deal ends in:
Close Countdown
  • Real value: €169.99
  • You save: €135 (79%)

Approximate Conversion Rates: 42 USD || 31 GBP

Normally €187.99 – get it at 80% before its gone!

  • Absolute no-brainer at 80% off the normal price (normally €187.99)!
  • Benchmark Filter Design
  • Extensive Patch Manager
  • Use As Part Of An Effects Chain
  • Trigger From MIDI Tracks
  • Evolving Textural Patches
  • 8 Voice Polyphony
  • Windows 7, XP, or Vista
  • Pentium IV 1.5 GHz Processor or AMD 1500 XP
  • MME Compatible Audio Hardware ASIO Compatible Audio Hardware Recommended
  • Minimum 512mb RAM 2GB Recommended
  • A VST or RTAS compatible host application
  • OS X Version 10.4.1 or higher
  • Intel Based Processor
  • Minimum 512mb RAM 2GB Recommended
  • A VST, AU or RTAS compatible host application
  • Perfect for 8bit Chip Tunes, Electronic Pop, Funk, Psytrance and much, much more!

What People Think About 80% off “TimewARP 2600” by Way Out Ware (VST/AU/RTAS)

  • "(A) Fantastic entry point into modular synthesis yet will maintain its relevance up through the advanced level... an exceptional emulation of the original ARP 2600... (with a) near infinite variety of sounds."

    Full Review

    Sample library Review

    Sample library Review

    Music Industry Blog

  • "TimewARP 2600 comes closer to sounding like the real thing than any other software synth emulator out there! The three VCO's sound great, the filter is excellent with realistic self-oscillating resonance and almost no glitchy stair-stepping during slow gradual filter sweeps. WOW's TimewARP 2600 is a steal!"

    Full Review

    Vintage Synth Explorer

    Vintage Synth Explorer

    Music Industry Blog

  • "With this version, the programmers have delivered a straightforward software emulation that doesn't mess with the original formula, and that's exactly what a lot of people will be looking for."

    Full Review

    Music Radar

    Music Radar

    Music Industry Blog

Add your own review: “80% off “TimewARP 2600” by Way Out Ware (VST/AU/RTAS)”