60% off “Evolution: Devastator Deathmatch” by Keepforest

 

A Universe Of Hits, Pulses, Downers, One-Shots, Trailer Brass/Drums & More

The main menu of Devastator is very simple. In the center, there is a drop-down menu for choosing the sound samples with its waveform. On the right side is the ADSR envelope for controlling the sound.

Main Interface

• Attack – How quickly the sound reaches full volume after the sound is activated (the key is pressed).
• Hold – The sound to be held at the sustain level for a length of time before decaying.
• Decay – How quickly the sound drops to the sustain level after the initial peak.
• Sustain – The “constant” volume that the sound takes after decay until the note is released.
• Release – How quickly the sound fades when a note ends (the key is released).

On the left side is the master convolution reverb with IR profiles.

• On/Off – enables or disables the reverb
• Pre Delay – controls the delay time between input and processed signals
• Early IR Size – controls the size of the early impulse response
• Early Low Pass – cuts high frequencies of the early impulse response
• Early High Pass – cuts low frequencies of the early impulse response
• Late IR Size – controls the size of the late impulse response
• Late Low Pass – cuts high frequencies of the late impulse response
• Late High Pass – cuts low frequencies of the late impulse response
• Dry – controls the volume of the dry signal
• Wet – controls the volume of the processed signal

On the lower corners are the Global Filter with different modes and the Velocity Sensitivity. You can change between Polyphonic, Mono and Glide mode.

Master Effect Chain

You can go to the master effect chain by clicking to the Effects button on the lower left corner. In this menu, there are 7 slots for loading the effects for sound processing from EQ, comp, limiter to distortion, saturation, modulation effects, delay, reverb and more.

Rhythm (Sequencer)

The Rhythm section is the main feature of Devastator. You can create cinematic pulses, trailer drum loops, exciting riffs in this section. You can save, load reset and crop the sequence and extract the midi file from the sequencer for using with other libraries. Also, there are five play modes to select:

• Play All – Classic mode
• Arp Asc – Ascending arpeggiation
• Arp Dec – Descending arpeggiation
• Arp Ord – Arpeggiation in order
• Advanced – In this mode you can assign a step to another round robin sample to make the sequence more realistic and groovy. Excellent for making percussion and drum loops

For more information read the [User Manual]

Playable Instruments:

• Loops: Trailer Drums 70-110 Bpm, Trailer Drums 120-150 Bpm, Tik-Tok, Dirty Perc, Classic Perc, Tonal Loops
• Trailer Plucks – 32, Trailer Low Brass & Megahorns – 9, Braams & Pads – 34
• Signature Bass & Signal – 55, Signature Synth & Scream – 37, Signature Delayed – 40
• Devastator Distortions – 35, Distorted Bass & Noises – 54
• Downers – 27, Noises & Ambiences – 18, Noise FX – 27, Reversed & Suckbacks – 10, Tik Tok Shots 1 – 30, Tik Tok Shots 2 – 30
• Gritty Hits – 38, Far Hits – 11, Trailer Hits – 14

Playable Oneshots:

• Trailer Hits – 14, Far Hits – 11, Gritty Hits – 38
• Trailer Brass – 59, Devastator Distortions – 36, Distorted Bass & Noises – 57
• Signatures One-Shot – 93,  Signatures Deleyed – 41
• Downers – 27, Pads & Atmos – 135, Noises & Ambiences – 18, Liquid Noises – 27, Reversed & Suckbacks – 10, Tik Tok Shots – 110

WAV Folder:

ONESHOTS:

• Trailer Brass – 59, Trailer Hits – 20, Liquid Hits  – 17, Far Hits – 11
• Signatures: Signals  & Pings – 43, Screams – 24, Synth – 13, Bass – 10, Rhythmic – 41
• Noises & Ambiences – 18, Distorted Bass & Noises – 57, Devastator Distortions – 36
• Downers – 27, Pads & Atmos – 30, Reversed & Suckbacks – 15

TRAILER LOOPS:

• Trailer Drum Loops – 40, Hits Loops – 19, Trailer Fills – 20
• Classic – 25, Tik-Tok – 34, Dirty – 18, Tonal Loops – 46

STEMS

• Trailer Stems – 12