65% off “Goliath v2” by Tone Empire

Everything You Need To Bring Your Mixes To Life With Instant Analogue Character

What’s new?

Goliath, Tone Empire’s top-selling plugin is back in a brand new avatar with a completely new sound engine and new features. This plugin now has 4 types of Saturation models – Alloy, Tube, Tape & Vinyl with Drive.

Tone Empire now use their Advanced DSP models featuring their own proprietary “Multi Convolution” & Component Modelling Technique to simulate “Real” hardware chains of analog gear.

Additionally, the plugin now features a full FET compressor in its envelope section and a 3 Band EQ plus a Low Cut Filter. All these engines make Goliath V2 a great sounding & versatile channel strip with multiple colors of sound processing. If you love that vintage analog “goodness”, then Goliath V2 is for you!

Analog Modelled Processing Chain Section

In order to develop their fantastic and realistic sounding analog chains, Tone Empire used multiple samples of hitting the gear at different levels using their proprietary “Multi Convolution” & Component Modelling Technique. Hence you actually get the “REAL” sound of the gear!

The signal chain in Goliath V2 is :

Low Cut EQ –> Analog Processing Selector (4 choices) –> ENVELOPE Section –> EQ Section.

• Alloy – this is an analog processing chain featuring the famous British 1081 sound which has characteristics of its transformer made of Nickel, Iron, Steel. This gives you a taste of that clean silky analog processing.
• Tube – the Tube chain is modeled using a modern/classic valve processing chain with an AIR circuit. An immediately pleasing sound that will bring 2nd order harmonics to your material.
• Tape – here we have used the ATR – 700 Tape Recorder at 15ips to capture that warmth and compression of Tape. Immediately hear your transients being “warmed” up and also get third-order harmonic saturation.
• Vinyl –  this one features an analog mastering chain going to a Neumann vinyl cutting machine and multiple IRs sampled from the dubplate. Finally, get your record to sound like a “Record”!

More Features

• DRIVE Control: This controls lets you “drive” the analog chain selected for its respective saturation characteristics.
• Env-EQ MIX: Use this control to dial back the amount of Envelope and EQ used by parallel mixing in the signal from the analog chain before the Env-EQ sections.
• OUTPUT Control: This lets you control the gain of the final output of the processing from -inf to +10 DB.

Envelope Section

• ON/OFF Switch: Engage or bypass the Envelope Section.
• Threshold: Controls the threshold for the Envelope to kick into action.
• Attack: Pre-programmed fixed Attack times going from Fast to Slow.
• Release: Pre-programmed fixed Release times going from Fast to Slow.
• Ratio: Fixed ratios ranging from 2:1 to “ALL Buttons In” (Smashing ratio).

EQ Section

This Section features a 3-band Eq and a low-cut filter.

• ON/OFF Switch: Engage or bypass the EQ section.
• Low Cut Filter: First Order Low Cut Filter ranging from 20Hz to 60Hz.
• Low EQ: A peak filter EQ set at 65 Hz for boosting or cutting the low frequencies by +/-10 DB.
• Mid EQ: A peak filter EQ set at 1.5KHz for boosting or cutting the mid frequencies by +/-10 DB.
• High EQ: A peak filter EQ set at 15 kHz for boosting or cutting the high frequencies by +/-10 DB.

For more information on these features read the [User Manual].