UltraReverb – The Legendary Eventide Sound!

“UltraReverb” emulates every aspect of the sound of a real physical environment – from the complex early reflections, to the natural way in which the echo density increases with time, to the smooth Gaussian decay of the reverb tail. It’s many amazing features include:

Nine Reverb effects: Hall 1 & 2, Chamber 1 & 2, Room 1 & 2, Plate 1 & 2 and Ambience
Dual delays for echo effects that can be moved before or after the reverb
Pre-EQ and Post-EQ – Independent, three band parametric equalizers for shaping the audio before and after the reverb and delays
Movable Compressor provides dynamics before or after the reverb
Lo- fi effect
Unique Snapshots allow you to quickly store, recall, and automate up to 32 presets
Graphical EQ interface for intuitive tone shaping
Complete automation support

In short, “UltraReverb” is an excellent, CPU-efficient plugin that delivers rich, characterful reverbs & incorporates a powerful array of tailoring processors!

75% off “UltraReverb” by Eventide

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Exercise Complete Control Over The Size & Sound Of Your Spaces!

The UltraReverb user interface is a compact yet intuitive environment that uses consistent conventions throughout. It should take you no time at all to effortlessly navigate through each part of the plug-in.

UltraReverb is comprised of the following discrete components, which collectively or individually provide you a robust and precise tone-shaping and frequency-manipulation environment.

Reverb Controls

Derived from such flagship effects processors as the OrvilleTM and Eclipse, UltraReverb produces the highest quality reverb effects available from Eventide. An extensive set of useful parameters is offered to give you the freedom to create the sound you need quickly, including:

Reverb Type – Select among the various types of reverb algorithms.
Decay Time – The overall reverb decay time can be set using this slider.
Room Size – The size of the reverberant space is determined by this parameter.
Glide Rate – This is the time it takes the Room Size to glide to its new setting.
Mod Depth – Controls the amount, or level, of reverb modulation that is present in the reverb.
Mod Rate – Mod Rate sets the speed of reverb modulation.
Lo-Fi – Offers that sought-after “vintage digital” sound. The higher the value, the grungier it gets.
Pre-delay – Provides additional delay before the Diffusion, Early Reflections, and Reverb Tail.
Diffusion – The Diffusion parameter sets the overall reflectivity of the chosen space.
Early Ref Level – This sets the overall level of the Early Reflections path of the reverb algorithm.
Tail Level – This sets the level of the Reverb Tails path of the reverb algorithm.

EQ Controls

UltraReverb comes complete with two independent and fully parametric equalizers, referred to as Pre-EQ and Post-EQ. There are also shelving filters available for the reverb tail as well as the dual delay lines.

All four of these filters have their controls conveniently grouped within a single graphical interface with editable parameters.

Graph Shows – Use these four buttons to select one of the four EQ sections for editing.
EQ Positions – Pre EQ is located after the pre compressor but before the delay and reverb, Delay EQ is located in the delay lines, Reverb EQ is located in the Reverb Tail, Post EQ is located after the delay and reverb but before Lo- Fi and post compressor.
High – This row of parameters affects the high band filter section.
Mid – This row of parameters affects the mid band filter section. Not available for the reverb filter.
Low – This row of parameters affects the low band filter section.
Frequency – Use these parameters to set each band’s center frequency.
Gain – Use these parameters to set the gain or attenuation that occurs at each band’s center frequency.
Bandwidth (Q) – These parameters determine the range of frequencies that are affected by each band.

Levels Section

This section offers the necessary wet/dry balance controls as well as the ability to add up to 24dB of gain through the product.

Input – Adjust the signal level into this plug-in.
Output – This parameter sets the output level of the plug-in.
Mix – Sets the overall balance of wet signal to dry signal.

Read more in-depth details on all these features in the Manual HERE.

Easily Fine Tune Your Creations & Save Your Favourites For Future Use!

You’ve spent hours painstakingly setting up the perfect reverb, fine-tuning the EQ and making sure the mix levels are just right… but something is missing.

Luckily for you “UltraReverb” comes complete with a comprehensive Delay Section and a powerful Compressor Section that will help take your creation to the next level. Eventide’s unique Snapshots feature is the icing on the cake, allowing you to recall and even automate your personalised reverb settings instantly in any future projects.

Delay Section

As mentioned previously, this plug-in offers two independent delay lines with filtering. Use them as straight delays or add fi ltering for use as echo effects. Delays can be routed pre-reverb, post-reverb, or completely bypassed using the on/offswitch in the top right corner of the delay section.

The 6 parameters are de fined below in groups of two (left and right) to reduce redundancy.

Delay Pre/Post/Off – Pre or Post determines whether the delayed signal is added to the signal path before or after the reverb algorithm.
Left/Right Time – These two parameters set the amount of delay time in each channel of delay.
Left/Right Level – These parameters adjust the overall level of each delay.
Left/Right Feedback – These parameters set the amount of audio that is fed back into each delay.
Tempo – This drop-down menu allows you to sync the delays to a tempo.

Compressor Section

A fully parametric and movable compressor is offered via the Compressor section. Compression can be routed pre-reverb, post-reverb, or completely bypassed using the on/off switch in the top right corner of the Compressor section.

Compressor Pre/Post/Off – Pre or Post determines the compressor’s position in the signal path.
Threshold – Threshold sets the level at which gain reduction begins to take place.
Ratio – Sets how much gain reduction will occur for every dB of signal level above the Threshold.
Gain – Increase the compressor’s output level in order to make up for the level lost due to gain reduction.
Attack – Determines how fast the compressor will react to signals above the Threshold.
Release – Determines how fast the compressor will react to decreasing signal levels.
Knee – Determines a region above the Threshold where the gain reduction transitions from 1:1 to the Ratio setting.
Key – Select the audio signal that controls the amount of compression.

Snapshots

UltraReverb incorporates Eventide’s unique Snapshots feature that allows you to quickly and easily load, save and even automate up to 32 of your favourite Reverb “scenes.”

They’re very much like presets, but you can load them directly from the plug-in panel. This means that you get the live performance functionality offered from Eventide’s high-end hardware processors directly in your DAW.

Loading – To load a Snapshot, simply click on any of the numbered buttons at any time.
Saving – To write or overwrite one of the Snapshots, simply command-click on any of the numbered Snapshot buttons and it will instantly be stored.
Renaming – Click once on the name in the entry box, and it will be selected for editing. Type up to 16 characters, hit return and the Snapshot has a new name.
Revert – Gives you the freedom to return to the effect settings you were working on before you loaded one or more Snapshots.
Global vs. Current – There are two kinds of Snapshots, Global and Current. Both are grouped in banks of 16. Global Snapshots are accessible from any preset in any instance of the UltraReverb plug-in in any DAW session on your hard-drive. Use these to keep your 16 favourite reverb effects readily available.

Preset Bar

Saving and Recalling Plug-In settings – When UltraReverb is installed, a library of settings is placed into the <user>/Documents/Eventide/UltraReverb/Presets folder. These presets have a .tide extension and can be saved or loaded from the UltraReverb preset bar in any supported DAW.
Mix Lock – When Mix Lock is illuminated, the current Mix value will remain unchanged as new presets are loaded. This is especially useful on an effect return track where the mix should always be set to 100.

Eventide has included a whopping 300 presets to cover virtually any reverb situation. These include both factory patches broken up into convenient categories, and patches by 14 guest musicians and engineers, including Andrew Sheps, Richard Devine, Sasha, and Chris Carter.

Read more in-depth details on all these features in the Manual HERE.