88% off “Interference” by Rigid Audio

Enjoy Exploring A Stunning, Intuitive And Easy-To-Use Interface

“Interference” is based on four time stretching loop-engines and four drum and percussion parts, which can be programmed, played and mixed all individually. It also comes with two times 400 categorized loops that you can randomize and around 1130 drum, percussion and noise sounds.

Each engine in “Interference” has a comprehensive set of editing tools, including control over basic things like pitch, pan and volume as well as more creative elements like filters, delay-based effects and three send effects including a unique so-called “disturb” effect.

Each engine in “Interference” can be altered and modulated via separate modulation tables with around 43 modulation targets at the same time. Also, an Arpeggiator with four different harmonizing modes and free step lengths for each note can be used to vary loops in interesting ways.

It is also possible to modulate any parameter externally using the modulation wheel – a dedicated mapping sub page allows for detailed fine tuning of the start and end ranges of each modulation assignment separately.

Furthermore, “Interference” does feature three dedicated pages for editing: A Main Page where the user has a quick overview of what is going on, a more detailed Edit Page for access to all parameters and an Options Page for per-preset preferences.

The Main Page

• [1] The Preset Section: From here, you can choose presets, identify what preset is currently loaded and randomize presets or choose presets from the seven built-in categories.
• [2] The Sequencing Section: In here, you can sequence loops and drums, adjust the table modulations in the top and choose patterns to be played back.
• [3] The Sounds Section: This provides control over which loops and drum sounds should be played back as well as adjusting volumes for these. In addition, you can set up key and tonesplits here as well as choosing the amount of global shuffle/swing.

The Edit Page

• [1] The Sequencing Section: In here, you can sequence loops and drums, adjust the table modulations in the top and choose patterns to be played back.
• [2] The Sounds Section: This provides control over which loops and drum sounds should be played back.
• [3] The Edit Section / Master FX section: From here, you can control every aspect of each loop and drum sound as well as configure global effects (right side), like for example reverb and delay.
• [4] The Engine Selection Section: From here, you can select one of the eight available engines (A – D and E – H) for editing. The engines A-D (left side) play back loop sounds whereas the engines E-H (right side) do play back drum and percussion sounds.

The Options Page

• [1] The Modulation Section: This section lets you control various aspects of the table modulation in the edit page’s sequencing section.
• [2] The Triggering Section: From here, you can choose various note-triggering (keysplit) modes.
• [3] Time Signature & Audio Output Section: In here, you can choose a global time signature (4/4 or 6/8) and choose an audio output mode (MIX or INDIVIDUAL).
• [4] The Performance Section: This lets you adjust different sound-altering options, for example a pitch-detune mode for a certain engines as well as timestretching for the H – engine.
• [5] The Panning Section: Here you can choose to enable or disable random per-note panning for the engines A-D separately.
• [6] The Miscellaneous Section: Gives control over various things, like adjusting the SUB engine playback mode, pitch bend ranges and monophonic or polyphonic playback for the loop-based engines (A-D).

For more information read the [User Manual].