Video Game Music Implementation With Wwise Part 3 In part 2 we talked about how to prepare your project, import your audio clips and set them up for proper playback in Wwise. In this post, we will be dealing with creating a music playlist and music containers for playing back those audio clips in a […]
Video Game Music Implementation with Wwise Part 2 In part 1 we looked at how to edit, export and label your tracks for implementation in Wwise. In this post, we are entering the ubiquitous realm of game audio middleware to learn how to manipulate and implement all of those tracks that we previously prepared. What […]
Video Game Music Implementation With Wwise Part 1 The very mention of game audio implementation can be rather overwhelming to some composers and sound designers. Game audio workflow is very different than working on a film or a trailer. To put it simply, films and trailers have a linear timeline where everything goes from start […]
How To Make Cinematic Ambient Drones In this post, we’ll be covering the sound of drones. And by drones, I don’t mean those annoying buzzing kids toys flying around your neighbourhood taking snapshots with a camera, nor do I mean the bigger more annoying ones spying on us from the sky. I mean the less […]
Cascading Delays To Create Moving Pulses Our topic for this post is how to create moving pulses, the backbone of every tension or action cue in today’s film, game and trailer music. Sometimes they’re not prominent enough for us to hear, but we can feel them if they’re done properly. Any sound source can be […]
How To Make Your Percussion Sound Big Aaaaah the elusive ways of massive hard-hitting cinematic percussion… We’ve all been there when we were starting out our careers as young composers. One of the most important aspects of making a good action or epic cue is making your percussion sound massive and big, but with good […]
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